The Metropolitan Museum of Art Meiji Butterfly Pendant Necklace and Drop Earrings Set
177.95 USD
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Art jewelry inspired by The Met collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. This shimmering jewelry is inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. Click
EAN: 0885118887688
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The Metropolitan Museum of Art Meiji Butterfly Pendant Necklace
102.95 USD
Art jewelry inspired by The Met collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. This shimmering pendant necklace is inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. Click
The Metropolitan Museum of Art Meiji Butterfly Drop Earrings
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Art jewelry inspired by The Met collection. Butterflies are beloved subjects in Japanese art, not only for their poetic beauty but for their association with longevity and springtime. These shimmering earrings are inspired by the mother-of-pearl butterflies decorating a marvelous Japanese box (second half of the 19th century) in The Met's holdings. Likely reserved for ceremonial tea utensils, the Museum's Meiji-period treasure-bequeathed by the visionary collector, silversmith, and Tiffany & Co. designer Edward C. Moore (American, 1827-1891)-boasts magnificent craftwork and serves as the most significant example of a Japanese lacquer technique known as maki-e (meaning "sprinkled picture") in Moore's expansive collection. Click
The Metropolitan Museum of Art Swiss Butterfly Brooch
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An artful brooch, only from The Met. A splendid Swiss watch in the form of a butterfly (ca. 1840-50) is reimagined as an artful brooch. The Museum's 19th-century treasure is one of many luxurious timepieces in The Met's European Sculpture and Decorative Arts galleries, which exhibit the development of Western European art forms-including furniture, jewelry, tapestries, and ceramics-from the early 15th through the early 20th centuries. Read our blog post
The Metropolitan Museum of Art Edo Blossoms and Butterflies Embroidered Shawl
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An art shawl inspired by The Met collection. This embroidered shawl reimagines an exquisite Edo-period (1615-1868) outer robe known as an uchikake, typically reserved for formal occasions or stage performances. Pillowy peonies and plum blossoms create an exuberant motif, with delicate butterflies fluttering between the blooms. These auspicious symbols of springtime, joy, longevity, and marital happiness are well suited to the original late 18th-early 19th-century robe's enduring use in traditional Japanese wedding ceremonies. Our shawl is complete with stylish self-fringe edges and lurex butterflies for a little shimmer. To find inspiration for how to style this scarf, read our blog post
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An art-inspired fashion scarf, only at The Met. The delicate embroidered butterflies on our soft wool-and-silk scarf celebrate the ornamentation on a striking silk robe made in the late 19th century during China's Qing dynasty (1644-1911). This woman's garment in The Met collection is exquisitely embroidered with longevity medallions and silk butterflies. Since the Chinese word for "butterfly" is a homonym for "octogenarian," butterflies are also symbols of longevity. These auspicious creatures are likewise associated with weddings, so it's possible that this robe was worn for such a joyous occasion.
The Metropolitan Museum of Art Spanish Day and Night Magnifier Pendant Necklace and Moon Drop Earrings Set
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Art jewelry inspired by The Met collection. These celestial motifs celebrate a type of print called a broadside depicting 48 allegorical figures pertaining to the sun and the moon. The original, now in The Met collection, was printed about 1860-70 by Juan Llorens (Spanish, active ca. 1855-70), an active publisher of broadsides in Barcelona. Broadsides were issued by the thousands and sold on the street or in publishers' shops beginning in 16th-century Europe. These inexpensive sheets of small images, made to entertain the buyer with depictions of current news, children's games, popular tales, and so on, were so well received that certain printing presses made them their specialty. Many early broadsides have been lost due to their ephemeral nature, but numerous others survive in The Met collection. Click
The Metropolitan Museum of Art Egyptian Heart Scarab Pendant Necklace
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Art jewelry inspired by The Met collection. This timeless pendant necklace calls upon a remarkable gold-and-serpentinite heart scarab (ca. 1492-1473 BCE) belonging to an Egyptian nebet per, or housemistress, by the name of Hatnefer. Heart scarabs were popular amulets in ancient Egypt; a righteous heart was essential for transcendence to the afterlife, so the Egyptians used amulets such as this one in The Met collection to ensure favorable judgment. This extraordinary heart scarab dating to the New Kingdom bears a version of a chapter from the Book of the Dead engraved on the base, in which the deceased urges her heart not to bear witness against her during her final judgment. Hatnefer's name, however, was inserted over an erased text, indicating that the amulet wasn't originally made for her. Click
The Metropolitan Museum of Art Etruscan Lapis Pendant Necklace
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Accented with lapis stones, our timeless pendant necklace is modeled after a pair of stunning gold earrings (4th century BCE) in The Met collection, which feature amphora-shaped pendants enclosed in a ring. In the region of Italy now known as Tuscany, Etruscan civilization flourished between the 7th and 4th centuries BCE. The wealthy, cosmopolitan, and luxury-loving Etruscans developed some of the finest gold, silver, and bronze jewelry of the ancient world. Due to the natural elements in this jewelry, the color of the stones may vary.
The Metropolitan Museum of Art Classical Carnelian Pendant Necklace
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Art jewelry makes a unique gift for her. An ancient ring crafted during Greece's Classical period is transformed into contemporary carnelian jewelry. The pendant on this necklace adapts the ring's fiery carnelian centerpiece, which is enveloped by a setting accented with gold filigree. This timeless adornment from the 5th century BCE is part of The Met's celebrated Greek and Roman art collection. Click
The Metropolitan Museum of Art Jeweled Bee Pendant Necklace
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Art jewelry inspired by museum treasures. This charming pendant necklace embellished with enamel and Swarovski® crystal celebrates Cornflowers and Buttercups (ca. 1900) by Peter Carl Fabergé (Russian, 1846-1920). Featuring a bee perched atop a golden buttercup, the exquisite confection is crafted in gold, enamel, rose-cut diamonds, and rubies; its vase and "water" are carved from rock crystal. A visionary artisan and jeweler, Fabergé counted the Russian imperial family among his firm's elite clientele. Both Empress Alexandra Feodorovna and her sister, Queen Alexandra of Great Britain, were charmed by Fabergé's flower creations. Produced in cooperation with the Royal Collection.
The Metropolitan Museum of Art Bohemian Dragon Magnifier Pendant Necklace
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Art jewelry inspired by a Met treasure. A celebration of whimsy and artistry, this handcrafted magnifier pendant nods to the exquisite foliate detailing on an imaginative Bohemian ewer (a vase-shaped pitcher) (ca. 1680) in The Met collection. A tangle of fantastical tails and scales supports a smoky rock-crystal basin fiercely protected by a dragon, whose serpentine form creates a handle. The Museum's remarkable Renaissance-style vessel is attributed to the workshop of the 17th-century artisan Ferdinand Eusebio Miseroni (Italian, active Prague, working 1656-84); however, certain elements indicate that it was reworked in the early 19th century.
The Metropolitan Museum of Art Lotus Bead Pendant Necklace
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Our colorful pendant is based on a detail on a faience ram with a lotus-shaped manger in The Met collection. This charming ram was made in the 2nd century during the period of Roman rule in Egypt. The faience composition may allude to Harpokrates, who was an immensely popular god of fecundity and rebirth during the Roman era. The ancient Egyptians loved the color blue, which represented the power of the heavens and water-and you will, too, when you wear this lotus-shaped drop pendant in 18K gold plate with a blue bead. Due to the natural element in this jewelry, the color of the stone may vary.
The Metropolitan Museum of Art Gilded Age Daffodil Pendant Necklace
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Unique gifts for her inspired by The Met collection. The radiant bloom on this necklace is plucked from the "Daffodil" lamp produced by Tiffany Studios (American, 1902-32) around 1904-10. The daffodil appears to have been a popular Tiffany Studios subject over several decades, and archival photographs of the studio show real daffodils arranged on model shades, demonstrating how closely the artisans worked from nature. Now in The Met's American Wing, the lamp exhibits Louis C. Tiffany's (American, 1848-1933) enduring reverence for the natural world.
The Metropolitan Museum of Art Celestial Symbols Carved Mother-of-Pearl Pendant Necklace
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Unique gifts for her. A stained-glass roundel (1390) at The Met Cloisters lends its celestial motifs to this whimsical necklace. The original was crafted in a large court workshop in Niederösterreich, Austria, and installed in the castle at Ebreichsdorf near the Hungarian border. Having withstood attacks by the Mongols in the 13th century, followed by the Turks in the 17th century, the castle never returned to its medieval splendor; with the exception of a surviving panel in Vienna, this roundel and a series of narrative panels depicting the life of Christ, formerly displayed in the Gothic Chapel at Ebreichsdorf and now at The Cloisters, are all that remain of the structure's magnificent glasswork.
The Metropolitan Museum of Art Celestial Octagonal Magnifier Pendant Necklace
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Both elegant and functional, our sparkling octagonal magnifier pendant necklace recalls a fine example of a magnifying glass in The Met collection designed by Louis Comfort Tiffany (American, 1848-1933). Our celestial adaptation in oxidized rhodium plate is adorned with stars and glittering Swarovski® crystals. The glass magnifies 4 x power. The original piece by L. C. Tiffany was crafted in bronze and glass about 1905-20, likely part of a matching desk set. Depictions of magnifiers can also be seen in works of art throughout the Museum, from prints to paintings.
The Metropolitan Museum of Art Cypriot Twist Pearl Chain Pendant Necklace
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Art jewelry makes a unique gift for her. This timeless chain necklace embellished with a cultured freshwater baroque pearl reinterprets an elegant gold bracelet from Cyprus and now in The Met collection. So-called "baroque" pearls are named after the word barroco, a Portuguese term for a pearl with an irregular shape. The Museum's bracelet belongs to the esteemed Cesnola Collection, which comprises Cypriot art and artifacts made between ca. 2500 BCE and ca. 300 CE, and serves as the most important and comprehensive assemblage of its kind in the West. Due to the natural elements in this jewelry, the color of the pearls may vary.
The Metropolitan Museum of Art French Hummingbird Magnifier Pendant Necklace
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Art jewelry inspired by The Met collection. A graceful fusion of beauty and utility, this pendant necklace showcases a delicately enameled hummingbird in mid-flight, its plumes encircling a small magnifying lens. The dainty jewel-toned bird references an embroidered textile swatch from The Met collection. The original piece is housed in an album of fabric samples from around 1878, possibly attributed to the city of Lyon, which was once the largest French producer of luxurious silks.
The Metropolitan Museum of Art Cypriot Twist Pearl Pendant Necklace
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Art jewelry makes a unique gift for her. This delicate necklace reinterprets an elegant gold bracelet from Cyprus in The Met collection. We've embellished the original adornment's characteristic twist motif with a cultured freshwater baroque pearl, named after the word barroco, a Portuguese term for a pearl with an irregular shape. The Museum's bracelet belongs to the esteemed Cesnola Collection, which comprises Cypriot art and artifacts made between ca. 2500 BCE and ca. 300 CE, and serves as the most important and comprehensive assemblage of its kind in the Western world. Due to the natural elements in this jewelry, the color of the pearls may vary.
The Metropolitan Museum of Art Egyptian Feather Pendant Necklace
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Unique art jewelry inspired by The Met collection. Earrings have long been popular adornments in the Near East, but they weren't widely worn in Egypt until around 1500 BCE. A fabulous Egyptian earring (ca. 1295-1186 BCE) boasting what was likely intended to represent a feather pattern serves as the inspiration behind this necklace. The pendant reenvisions the inlaid lapis lazuli on the original with transparent hand enameling for a little shimmer. Click
The Metropolitan Museum of Art Javanese Beaded Magnifier Pendant Necklace
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Unique gifts for her. A gold-and-lapis pendant in The Met's Asian Art collection serves as the inspiration for this magnifier pendant necklace featuring a lapis bead. The Museum's pendant was made in Indonesia during the Eastern Javanese period, sometime between the 10th and 15th centuries. Our adornments are elevated with elegant detailing that both reimagines and pays homage to the wonderfully carved gold mount on the original.
The Metropolitan Museum of Art Sargent Madame X Crescent Pendant Necklace - Sterling Silver
142.95 USD
Art jewelry makes a unique gift for her. The crescent moon headpiece atop Virginie Amélie Avegno Gautreau's iconic profile informs this sparkling necklace, available in gold vermeil or sterling silver, and embellished with white sapphires. Gautreau, perhaps better known today as "Madame X," was admired in Paris for her artful appearance, and John Singer Sargent (American, 1856-1925) hoped to enhance his reputation by painting the stylish socialite's portrait in 1883-84. He emphasized his subject's daring fashion sense by showing the right strap of her gown slipping from her shoulder; however, upon the picture's exhibition at the Salon of 1884, it received more ridicule than praise. Sargent repainted the strap and kept the work for over 30 years. When he eventually sold it to The Met, he commented, "I suppose it is the best thing I have done," but asked the Museum to disguise the sitter's name. We're delighted to present this item in celebration of Sargent and Paris. This Met exhibition explores the early career of the American painter John Singer Sargent, from his arrival in Paris in 1874 through the mid-1880s, when his infamous portrait Madame X was a scandalous success at the Paris Salon. Over the course of one extraordinary decade, Sargent achieved recognition by creating boldly ambitious portraits and figure paintings that pushed the boundaries of conventionality. Beyond the portrait studio, he traveled in search of inspiration for his art-finding subjects in Italy, the Netherlands, Spain, and North Africa. This exhibition gathers Sargent's diverse works from this period to illuminate his path to becoming an artist, which was indelibly shaped by his experiences in the French capital. These visually stunning works provide a compelling view of the Paris art world of the late 19th century. Read our blog post
The Metropolitan Museum of Art Spanish Day and Night Reversible Lariat Pendant Necklace
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Art jewelry inspired by The Met collection. The celestial motifs decorating the front and back of this reversible pendant evoke an example of a type of print called a broadside depicting 48 allegorical figures pertaining to the sun and the moon. The original, now in The Met collection, was printed about 1860-70 by Juan Llorens (Spanish, active ca. 1855-70), an active publisher of broadsides in Barcelona. Broadsides were issued by the thousands and sold on the street or in publishers' shops beginning in 16th-century Europe. These inexpensive sheets of small images, made to entertain the buyer with depictions of current news, children's games, popular tales, and so on, were so well received that certain printing presses made them their specialty. Many early broadsides have been lost due to their ephemeral nature, but numerous others survive in The Met collection. Click
The Metropolitan Museum of Art Magnolia Pendant Necklace
92.95 USD
This gleaming floral necklace evokes the famous Magnolia Vase in The Met collection, the centerpiece of Tiffany & Co.'s display at the 1893 World's Columbian Exposition in Chicago. The radiant design is crafted in silver plate and accented with enamel, for an elegant touch, day or evening. The necklace coordinates with our matching Magnolia Stud Earrings and Pin. The exceptional craftsmanship and innovative techniques manifested in the original Tiffany & Co. vase-particularly the naturalism of the enameled magnolias-led it to be described as "one of the most remarkable specimens of the silversmith… that has ever been produced anywhere." Due to the hand-painted elements in this jewelry, the color of the enamel may vary.
The Metropolitan Museum of Art French Empire Magnifier Pendant Necklace
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Art jewelry makes a unique gift for her. This fabulous magnifier pendant necklace nods to an elaborate parure (matching jewelry set) in The Met's European Sculpture and Decorative Arts holdings. The Museum's astounding 15-piece collection, made in France around 1810, boasts cut-steel studs that mimic faceted diamonds. Cut steel was fashionable in 18th- and 19th-century jewelry-similar examples were acquired by King Louis XVIII, and Napoleon, for his wife Archduchess Marie Louise of Austria. Somewhat surprisingly, the material wasn't necessarily a less expensive alternative to precious metals and gemstones.
The Metropolitan Museum of Art Cypriot Twist Pendant Necklace
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This pretty pendant necklace celebrates the characteristic twist motif on an elegant gold bracelet from Cyprus in the Museum's holdings. The original adornment belongs to The Met's esteemed Cesnola Collection, which comprises Cypriot art and artifacts made between ca. 2500 BCE and ca. 300 CE, and serves as the most important and comprehensive assemblage of its kind in the Western world. Click here to learn more about the object that inspired this necklace.
The Metropolitan Museum of Art French Loupe Magnifier Pendant Necklace
132.95 USD
A gorgeous gold, enamel, and glass loupe (ca. 1780) in The Met collection lends its compelling design to our pendant with 2x magnification. The impressive French instrument in the Museum's holdings demonstrates the 18th-century interest in optical enhancement; distinctive from eyeglasses and opera glasses, the loupe's lenses offer different levels of magnification and pivot from a central case. A similar loupe was supposedly carried by the mistress to King Louis XV, Madame de Pompadour, who used it to read.
The Metropolitan Museum of Art Amaryllis Pendant Necklace
92.95 USD
Art jewelry inspired by The Met collection. This festive red flower comes from Hybrid Amaryllis Regina Vittata (1824), a print engraved by William Say (British, 1768-1834) after Barbara Cotton (British, active ca. 1810-30) and published by the Horticultural Society of London. Today, it's housed in The Met's archive of drawings and prints, one of the most comprehensive and distinguished of its kind in the world with approximately 1.2 million prints-among other works on paper-in its collection. Click
The Metropolitan Museum of Art Celestial Charms Pendant Necklace
57.95 USD
The celestial charms on this pendant necklace evoke the sun and moon motifs in a stained-glass roundel (1390) at The Met Cloisters. Crafted in a large court workshop in Niederösterreich, Austria-which specialized in elongated figures positioned in profile, heavy masses of drapery, and an unusually rich range of colors-the roundel was originally installed in the castle at Ebreichsdorf near the Hungarian border. Having withstood attacks by the Mongols in the 13th century followed by the Turks in the 17th century, the castle never returned to its medieval splendor; with the exception of a surviving panel in Vienna, the windows housed at The Cloisters are all that remain of the structure's magnificent glasswork.
The Metropolitan Museum of Art Celestial Amulet Pendant Necklace
112.95 USD
Glass Pendant, Swarovski Crystals Our starry glowing orb is crafted of 24K gold plate with sodalite, Czech glass, and Swarovski® crystals. It pays homage to an ancient amulet pendant in The Met collection. Wear this chic adaptation for a touch of timeless verve. An amulet is a small object that a person believes will magically bestow strength or protection. The original adornment was made by the Hunnic or Frankish people in the 4th to 5th century. Worked in gold and inset with a striking sphere of clear rock crystal, the ancient pendant was likely imbued by its owner with special powers.
The Metropolitan Museum of Art Sargent Madame X Crescent Pendant Necklace - Gold Vermeil
142.95 USD
Art jewelry makes a unique gift for her. The crescent moon headpiece atop Virginie Amélie Avegno Gautreau's iconic profile informs this sparkling necklace, available in gold vermeil or sterling silver, and embellished with white sapphires. Gautreau, perhaps better known today as "Madame X," was admired in Paris for her artful appearance, and John Singer Sargent (American, 1856-1925) hoped to enhance his reputation by painting the stylish socialite's portrait in 1883-84. He emphasized his subject's daring fashion sense by showing the right strap of her gown slipping from her shoulder; however, upon the picture's exhibition at the Salon of 1884, it received more ridicule than praise. Sargent repainted the strap and kept the work for over 30 years. When he eventually sold it to The Met, he commented, "I suppose it is the best thing I have done," but asked the Museum to disguise the sitter's name. We're delighted to present this item in celebration of Sargent and Paris. This Met exhibition explores the early career of the American painter John Singer Sargent, from his arrival in Paris in 1874 through the mid-1880s, when his infamous portrait Madame X was a scandalous success at the Paris Salon. Over the course of one extraordinary decade, Sargent achieved recognition by creating boldly ambitious portraits and figure paintings that pushed the boundaries of conventionality. Beyond the portrait studio, he traveled in search of inspiration for his art-finding subjects in Italy, the Netherlands, Spain, and North Africa. This exhibition gathers Sargent's diverse works from this period to illuminate his path to becoming an artist, which was indelibly shaped by his experiences in the French capital. These visually stunning works provide a compelling view of the Paris art world of the late 19th century. Read our blog post
The Metropolitan Museum of Art Philippine Pearl Magnifier Pendant Necklace
132.95 USD
Unique gifts for her. This luminous necklace with a removable magnifier pendant evokes a gold-and-pearl rosary made in the 17th-19th-century Philippines and now in The Met collection.Between the 16th and 19th centuries, Spanish missionaries traveled to the Philippines and brought with them, among many other Western traditions, the Catholic rosary: a string of beads used to count repetitions of prayers. These devotional beads assumed various sizes and forms, and continued to evolve until a basic design and sequence of prayers were standardized in the 15th century. In the Philippines, which notably boasts the second largest gold reserves in the world, many rosaries and tamborins-a type of Philippine necklace that combined the European rosary with pre-Hispanic and Asian visual concepts-were made of gold and embellished with beads of coral or pearl. Due to the natural elements in this jewelry, the color of the pearls may vary. Read about the Museum treasure behind this jewelry and shop other art-inspired designs in our blog post
The Metropolitan Museum of Art Tibetan Mandala Pendant Necklace
142.95 USD
Art jewelry inspired by The Met collection. The late 19th-early 20th-century Tibetan amulet box, or ga'u, that inspired this bejeweled pendant would have been worn around the neck to protect the wearer. Its form, comprising two intersecting squares that symbolize crossed vajras, or thunderbolts, suggests the stability of Buddhism, while its striking stone embellishments represent the crystalline nature of the heavens. Amulet boxes typically contained written or printed texts consecrated by monks, and often included pieces of cloth from an important lama's robes. The eye-catching example in The Met collection belonged to a larger jewelry ensemble owned by a noblewoman. We're pleased to present this jewelry in celebration of Mandalas: Mapping the Buddhist Art of Tibet. This exhibition at The Met Fifth Avenue explores the imagery of the Himalayan Buddhist devotional art through over 100 paintings, sculptures, textiles, instruments, and an array of ritual objects, mostly dating between the 12th and 15th centuries, and a newly commissioned contemporary installation by Tibetan artist Tenzing Rigdol (b. Kathmandu, 1982). To learn more about the exhibition, read our blog post
The Metropolitan Museum of Art Turkish Amethyst Long Pendant Necklace
122.95 USD
Art jewelry inspired by The Met collection. The amethyst featuring on this necklace pays tribute to the unusual purple detailing on a Turkish textile fragment (ca. 1570-80) in The Met's Islamic art galleries. The Museum's woven work, probably crafted in Istanbul during the late 16th century, bears an ogival lattice design (derived from the term "ogive," which refers to a pointed arch) and serves as an outstanding example of the luxe Ottoman fabrics known as kemha. These sumptuous silk fabrics were highly valued throughout the Mediterranean and beyond, and many of them were used to make Christian vestments across Europe. The shape of this particular textile indicates that it was probably part of a chasuble, a garment worn by a member of the clergy. Click
The Metropolitan Museum of Art French Hummingbird Pendant Necklace
102.95 USD
Artful necklaces make great gifts. An intricately embroidered French fabric swatch from the late 19th century served as the inspiration for our French Hummingbird Pendant Necklace. The original textile, which depicts a hummingbird hovering near a cascade of delicate blossoms, has been reimagined in pendant form, featuring pale-blue, gem-like embellishments.
The Metropolitan Museum of Art Spanish Day and Night Magnifier Pendant Necklace
117.95 USD
Art jewelry inspired by The Met collection. The celestial motifs decorating this magnifier pendant celebrate a type of print called a broadside depicting 48 allegorical figures pertaining to the sun and the moon. The original, now in The Met collection, was printed about 1860-70 by Juan Llorens (Spanish, active ca. 1855-70), an active publisher of broadsides in Barcelona. Broadsides were issued by the thousands and sold on the street or in publishers' shops beginning in 16th-century Europe. These inexpensive sheets of small images, made to entertain the buyer with depictions of current news, children's games, popular tales, and so on, were so well received that certain printing presses made them their specialty. Many early broadsides have been lost due to their ephemeral nature, but numerous others survive in The Met collection. Click
The Metropolitan Museum of Art Ancient Lion Pendant Necklace
105.95 USD
Our modern necklace in 14k vermeil evokes an ancient gold lion-head pendant in The Met, which was made on the island of Cyprus during the second half of the 5th century BCE. On the original pendant, the lion-head is finely modeled in two halves, left and right, with a flat gold sheet closing off the neck aperture. For centuries, global cultures have crafted jewelry with protective charms that wearers believe will enhance their personal power: symbols of religious faith, images of fierce creatures, bells to summon ancient spirits, and beyond.