Bozzini

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Bozzini+ combines Montreal's famed Quatuor Bozzini with pianist Philip Thomas and Scottish fiddler Sarah-Jane Summers in world premiere recordings of piano quintets by Bryn Harrison and Mary Bellamy and a work for string quartet, fiddle and electronics by Monty Adkins. This release is the culmination of a three-year project that included collaborative development residencies, workshops, performances, and recordings scattered between Huddersfield, Canada, Scotland, and Norway. The three compositi

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Quatuor Bozzini  Ebrahim  London Sinfonietta  Furrer  Uttley  Ensemble Adapter - Lines & Spaces   - COMPACT DISCS [CD] Quatuor Bozzini Ebrahim London Sinfonietta Furrer Uttley Ensemble Adapter - Lines & Spaces - COMPACT DISCS [CD] 22.18 USD On this portrait-album the British composer Naomi Pinnock creates tender-fragile, finely differentiated sound formations from highly reduced sound material. The attempt to transform imperfection into sound is crucial for Pinnock's work. Dirk Wieschollek explains in the booklet 'The concentration and compression of musical gestures into essential expressive elements, always accompanied by the possibility of not existing at all, are often taken to a melancholic extreme.' "String Quartet no. 2" for example in the beginning remains in a heavy, wearily advancing motion created by varied expressive repetitions of a descending chord progression. In the second movement it segues into resigned, melancholic sound circles which end in a barely perceptible, toneless pizzicato at the bridge. Naomi Pinnock frequently derives inspiration for her works from literature and paintings. The piano solo "Lines and Spaces", which gave the title to the , owes it's existence to her encounter with the abstract paintings of Agnes Martin, whose minimalist square canvases reveal the subtlest nuances of colors and lines. In the composition various differentiations and relations evolve through the reduction on horizontally-conceptualized, singular lines and chordally-inspired, vertical spaces. In "Music for Europe" Naomi Pinnock deals with the Brexit - but not politically motivated 'I'd already started sketching the piece when the United Kingdom made it's decision to leave the EU. I was utterly devastated about the referendum result. [...] Even though I do adhere to the idea that you should concentrate on the work and not yourself when you're making art - it's going to express yourself anyway, so you don't need to think about self-expression - I can't tell you where I stop and the music starts. The fragility you hear is not contrived.'