rme: best products
![RME Fireface UCX II 40-Channel Advanced USB Audio Interface]()
RME Fireface UCX II 40-Channel Advanced USB Audio Interface
1699 USD
Why settle for less when you can have the best with the Fireface UCX II 40-Channel Advanced USB Audio Interface This professional-grade audio interface is designed to deliver superior sound quality and versatility for both studio and live recordings. The Fireface UCX II is a testament to RME's commitment to compact, advanced design. It packs a wealth of features typically spread across multiple 19-inch panels into a sleek, half-rack size unit. This high-quality audio interface offers a plethora of connectivity options, including 8x Analog I/O, 2x XLR/TRS Mic/Inst/Line, 2x Line/Inst Input, Phones Output, AES I/O, ADAT I/O, SPDIF I/O Coax, Word Clock I/O, and MIDI I/O. This advanced USB audio interface is equipped with the latest Plug and Play technology, ensuring a hassle-free installation process, even for novice users. The Fireface UCX II is designed with a user-friendly Settings dialog and an integrated routing solution, making it quick and efficient to operate. The front panel of the Fireface UCX II houses two mic/line preamps in XLR combo configuration, two digitally controlled line/instrument inputs, a headphone jack, various control buttons, a clear color display, and the main volume knob. The rear panel features ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0, and a switchable word clock I/O. The Fireface UCX II is powered by RME's SteadyClock FS, the latest in clock and jitter rejection technology. This femtosecond clock significantly reduces intrinsic jitter when converting from and to analogue over all digital formats, ensuring the highest audio fidelity. The Fireface UCX II also boasts full stand-alone functionality. You can control all device states directly from the front panel, and the internal memory allows for the permanent storage of six different states of the unit. This makes the Fireface UCX II a versatile tool, capable of transforming into different devices at the click of a button. The Fireface UCX II also comes with the TotalMix FX DSP mixer, offering comprehensive routing and monitoring options, and the DIGICheck Analyzer for precise measurement and analysis of digital data feeds. All of the Fireface UCX II's line-level outputs are fully DC-coupled, making it ideal for use with modular synthesizers and other studio hardware. The Fireface UCX II operates in two modes: driver-based USB2 and Class Compliant. The latter is a standard natively supported by operating systems like Windows, Mac OSX, and Linux distributions, requiring no proprietary drivers. In conclusion, the Fireface UCX II 40-Channel Advanced USB Audio Interface is a durable, high-quality, and versatile solution for all your professional audio recording and processing needs. It's not just an audio interface; it's a complete audio system designed to deliver the best sound quality possible.
![RME FIREFACCEUCX2]()
RME FIREFACCEUCX2
1699 USD
Absolute power and flexibility, RME presents the Fireface UCX II the successor of the legendary Fireface UCX. Fitting to RME's 25th anniversary the...
![RME Fireface UCX II]()
RME Fireface UCX II
1599 USD
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that...
![RME FF UCX II]()
RME FF UCX II
1699 USD
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long t...
![RME DTOX-16 O Breakout Panel with 16x XLR Outputs to 2x D-sub 25-Pin Connector]()
RME DTOX-16 O Breakout Panel with 16x XLR Outputs to 2x D-sub 25-Pin Connector
399 USD
Make your professional audio setup more efficient and versatile with the DTOX-16 O Breakout Panel. This high-quality audio equipment seamlessly connects 16 XLR outputs to two D-sub 25-pin connectors, effectively managing channels 1-8 and channels 9-16. Designed to support all interfaces using an analog 25-pin D-sub output, this breakout panel is an essential tool for any professional audio environment.Engineered by RME, a renowned name in professional audio equipment, the DTOX-16 O Breakout Panel is compatible with a range of RME interfaces, including the M-32 DA and M-16 DA. This compatibility ensures a reliable and consistent audio experience, making it an ideal choice for live performances, recording studios, and sound reinforcement systems.Crafted with a durable stage box form factor, this breakout panel is built to withstand the rigors of professional use. Its high-quality DB-25, XLR connectors provide a secure and stable connection, ensuring optimal audio signal transmission. Incorporate the DTOX-16 O Breakout Panel into your professional audio setup and experience the difference in quality and reliability it brings. Whether you're a sound engineer, a recording artist, or a live performer, this versatile and reliable breakout panel is designed to meet your professional audio needs.
![RME DTOX-16 I Breakout Box]()
RME DTOX-16 I Breakout Box
399 USD
It's time to elevate your professional audio setup with the DTOX-16 I Breakout Panel, a high-quality and reliable solution for managing multiple audio sources. This versatile panel seamlessly integrates 16 XLR inputs into two D-sub 25-pin connectors, effectively streamlining channels 1-8 and 9-16. Designed with durability in mind, the DTOX-16 I Breakout Panel is perfect for live sound or recording setups, where a multitude of audio devices such as microphones or mixers need to be connected to a central mixing console or recorder. Its compatibility extends to all interfaces utilizing analog 25-pin D-sub inputs, and it's specifically tailored to work flawlessly with RME interfaces like the M-32 AD and M-16 AD. With the DTOX-16 I Breakout Panel, you're not just getting a piece of equipment, you're investing in a professional-grade tool that enhances your audio management capabilities. Whether you're in a recording studio or live event, this breakout panel ensures a smooth, high-quality audio experience.
![RME Hammerfall dsp]()
RME Hammerfall dsp
90 USD
I don t have the capabilities to test it. Please read into it and know what you re buying.Package includes no cables.
![RME Hammerfall DSP Multiface]()
RME Hammerfall DSP Multiface
135 USD
Used gear from our rentals department. The Multiface II is not only multi because of the many different interface formats supported, but also multi...
![RME ADI-2 FS AD/DA Convertor]()
RME ADI-2 FS AD/DA Convertor
999 USD
Shop Used Gear with Perfect CircuitFully tested and guaranteed to be 100% functionalGet peace of mind with best-in-class optional accidental damag...
![RME DTOX-16 I/O Breakout Panel]()
RME DTOX-16 I/O Breakout Panel
399 USD
Take your audio setup to the next level with the DTOX-16 I/O Breakout Panel, a high-quality, reliable solution for connecting 8 XLR inputs to a 25-pin D-sub connector and 8 XLR outputs to another 25-pin D-sub connector. This versatile breakout panel is designed to support all interfaces utilizing an analog 25-pin D-sub I/O, making it an essential tool for any professional audio setup.In addition to its compatibility with generic interfaces, the DTOX-16 I/O Breakout Panel is also specifically designed to work seamlessly with a range of RME interfaces. These include the ADI-8 QS, ADI-8 DS Mk III, M-32 AD, M-32 DA, M-16 AD, and M-16 DA. This ensures that you can integrate this breakout panel into your existing setup with ease, regardless of the RME interface you're using.With its robust construction and high-quality connectors, the DTOX-16 I/O Breakout Panel ensures reliable, interference-free connections for your audio equipment. Whether you're a professional sound engineer or an audio enthusiast, this breakout panel is a must-have addition to your audio equipment arsenal.
![RME ADI-2 FS 9.5" 1RU High-Precision 192kHz 2-Channel AD/DA Converter]()
RME ADI-2 FS 9.5" 1RU High-Precision 192kHz 2-Channel AD/DA Converter
949 USD
The ADI-2 FS is a compact and extremely flexible 2-channel Hi-End AD/DA-converter. The small 9.5" unit offers first-class AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected! HighlightsBalanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output level control and the additional modes D-D and A-A turn the ADI-2 FS into a universal tool and a flexible problem solver. Its pro-class sound qualifies it also as extension for other premium converters. The ADI-2 FS is equipped with two servo-balanced analog line inputs via XLR/phones combo jacks, simultaneously usable balanced XLR and unbalanced phone jacks, an adjustable High Power headphone output on the front, an ADAT compatible optical SPDIF I/O, and a coaxial SPDIF I/O (RCA, AES/EBU compatible). These extensive connectivity options provide most flexible and uncompromised signal transmission. The analog inputs use the advanced circuit design of the highly acclaimed ADI-2 Pro, thus offering outstandingly low noise and distortion as well as an extended frequency response. Three different settings for input and output levels provide perfect compatibility in the analog domain. A further highlight is SteadyClock FS, RMEs latest clock technology for maximum jitter suppression and lowest self-jitter. It guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 FS also uses the conversion technology of the ADI-2 Pro: the AK557x family and the AK4490 not only offer 192 kHz sampling frequency and lowest distortion, but also a dynamic range of 120 dBA. But the ADI-2 has more to offer than tremendous sound. It also provides exciting digital connectivity. Its coaxial RCA SPDIF I/O has a switchable Channel Status to make it fully AES/EBU compatible (cable adapter required). The optical TOSLINK I/Os can handle up to 192 kHz and also serve as ADAT I/O, even at 192 kHz. An operation with SPDIF input and ADAT output or vice versa is supported, in both AD/DA and D-D mode. The clear layout and distinct labeling of the front panel with its functional buttons, the informative status display, a 6 LED level meter as well as the tidy back panel make it easy to operate the unit right out of the box. Unexpected VersatilityWith input selection set to DIG the device works as a digital format converter with simultaneous monitoring. The AD converter is disabled, the DA converter still used for monitoring the digital input signal, at the rear outputs and the headphone output. A format conversion is possible between all options - SPDIF coaxial (or AES) with Professional or Consumer Status, as well as ADAT. The output selection ANA connects the analog output circuitry directly to the analog input circuitry. The DA converter is no longer active. The...
![2023 RME UFX III]()
2023 RME UFX III
3199 USD
RME Fireface UFX III - In stock at authorized U.S. reseller Tidepool AudioRME items purchased from resellers outside the U.S. do not have U.S. warr...
![RME DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male & 4 XLR Female Breakout Panel]()
RME DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male & 4 XLR Female Breakout Panel
399 USD
How can you enhance your digital multichannel interfaces with a professional, solid, and stable system The DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male and 4 XLR Female Breakout Panel is your answer. This high-quality breakout panel is designed to replace common breakout cables D-sub to XLR, providing a more robust and reliable solution for your audio and video needs. The DTOX-32 breakout panel features two sets of D-sub to 4 x XLR male and 4 x XLR female each, offering ample connectivity options for your equipment. It's pin-compatible with both TASCAM (=RME) and Yamaha formats, ensuring wide-ranging compatibility with various devices. This breakout panel is not just about functionality; it's also designed with flexibility in mind. The DTOX-32, along with its counterpart DTOX-16, comes with removable rack-mount brackets. These brackets can be mounted in either the front or back position, providing you with the convenience to set up your system as per your requirements. One of the standout features of the DTOX-32 breakout panel is its selectable pinout standards for the 25-pin D-sub connectors. You can choose between the TASCAM-compatible format and the YAMAHA-compatible format. By default, the DTOX-32 is set to the factory default TASCAM (RME) format. However, if you wish to change the format, it can be done by accessing an internal connector inside the panel. All it requires is a medium size cross recessed screwdriver (PH-2 size). In conclusion, the DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male and 4 XLR Female Breakout Panel is a versatile, reliable, and professional solution for enhancing your digital multichannel interfaces.
![RME FIREFACE UFX III]()
RME FIREFACE UFX III
3199 USD
RME has introduced the Fireface UFX III, a 188-channel, 1 RU audio interface with a blistering maximum sample rate of 24-bit / 192 kHz and wide-ran...
![RME ADI-6432 R Bidirectional 64 Channel 24-Bit/192kHz MADI/AES Format Converter]()
RME ADI-6432 R Bidirectional 64 Channel 24-Bit/192kHz MADI/AES Format Converter
4449 USD
Just when you thought professional audio conversion couldn't get more reliable, the RME ADI-6432 R steps in as a game-changer in the realm of high-fidelity sound. This advanced bidirectional 64-channel format converter is engineered to seamlessly bridge MADI and AES/EBU interfaces, ensuring that audio professionals can maintain the integrity of their high-resolution audio streams up to 24-bit/192kHz.The ADI-6432 R distinguishes itself with its innovative dual-circuit connectivity, providing an added layer of assurance. Should one electrical circuit encounter issues, the unit's intelligent design allows it to continue operating flawlessly on the second circuit, eliminating the risk of unexpected downtime in critical audio environments.At the heart of this sophisticated device lies RME's acclaimed SteadyClock technology, which delivers exceptional jitter reduction and clock regeneration. This feature ensures that even when working with external clock sources, the ADI-6432 R can provide a pristine, stable clock output for the utmost audio clarity.The unit's comprehensive connectivity options are a testament to its versatility. With support for BNC word clock, fiber optic, and MIDI, the ADI-6432 R can integrate into a wide array of setups, making it a top choice for studios, live sound applications, and broadcast environments. The ability to transfer MIDI and RS-232 data via MADI streamlines the workflow, allowing for remote control capabilities and simplifying complex setups.RME's Intelligent Clock Control (ICC) and SyncCheck technologies ensure that the ADI-6432 R maintains synchronization and provides clear error detection, even in the most demanding situations. The unit's ability to handle 64 channels of audio over a single cable, with distances exceeding 100 meters, is a testament to its high-quality design and performance.The front panel of the ADI-6432 R is a hub of information, featuring an array of 97 LEDs that provide detailed feedback on sync and audio states. Each function is accompanied by dedicated keys and clear LED indicators, allowing for precise and immediate adjustments. For added security, the control keys can be locked to prevent inadvertent setting changes.Whether used as a digital multicore system, an AES/EBU frontend for MADI-equipped devices, or as a standalone converter, the RME ADI-6432 R is a professional-grade solution that delivers unparalleled audio quality and reliability. Its compatibility with MADI interfaces from leading manufacturers ensures seamless integration into existing setups, making it a valuable asset for audio professionals seeking advanced, high-quality, and reliable conversion capabilities.
![RME FIREFACE-UFX-III]()
RME FIREFACE-UFX-III
3199 USD
The Fireface UFX III handles up to 94 channels with ease, and its DURec, low latency hardware, and driver designs ensure reliable operation. It fea...
![2024 RME MADIface XT II]()
2024 RME MADIface XT II
2507.12 USD
$341 Demo Savings!Item Condition:This returned item is in like-new condition and is in perfect working order. Includes all original accessories. Th...
![RME FIREFACE UFX III]()
RME FIREFACE UFX III
3199 USD
Every professional multitrack studio needs a flexible centerpiece, and that's why RME has introduced the Fireface UFX III, a 188-channel, 1 RU audi...
![RME FIREFACE-UFX-III]()
RME FIREFACE-UFX-III
3199 USD
The Fireface UFX III handles up to 94 channels with ease, and its DURec, low latency hardware, and driver designs ensure reliable operation. It fea...
![RME Fireface UFX III]()
RME Fireface UFX III
3199 USD
The RME Fireface UFX III Audio Interface is the center of any multitrack studio, handling up to 94 channels I/O with ease. Its unprecedented flexib...
![RME Fireface UFX III]()
RME Fireface UFX III
3199 USD
The Fireface UFX III is the center of any multitrack studio, handling up to 94 channels I/O with ease. Its unprecedented flexibility, compatibili...
![RME OctaMic II]()
RME OctaMic II
1799 USD
The RME OctaMic II Microphone Preamp is designed to provide pristine analog-to-digital conversion of all channels. Low distortion, excellent signal...
![2024 RME MADIface XT II]()
2024 RME MADIface XT II
2849 USD
394-channel 192kHz USB 3.0 Audio Interface with 2 Mic/Line Inputs 2 Analog Outs Headphone Out 1 MADI Coax and 2 MADI Optical Ports and MIDI/AES.
RME Fireface UCX II 40-Channel Advanced USB Audio Interface
1699 USD
Why settle for less when you can have the best with the Fireface UCX II 40-Channel Advanced USB Audio Interface This professional-grade audio interface is designed to deliver superior sound quality and versatility for both studio and live recordings. The Fireface UCX II is a testament to RME's commitment to compact, advanced design. It packs a wealth of features typically spread across multiple 19-inch panels into a sleek, half-rack size unit. This high-quality audio interface offers a plethora of connectivity options, including 8x Analog I/O, 2x XLR/TRS Mic/Inst/Line, 2x Line/Inst Input, Phones Output, AES I/O, ADAT I/O, SPDIF I/O Coax, Word Clock I/O, and MIDI I/O. This advanced USB audio interface is equipped with the latest Plug and Play technology, ensuring a hassle-free installation process, even for novice users. The Fireface UCX II is designed with a user-friendly Settings dialog and an integrated routing solution, making it quick and efficient to operate. The front panel of the Fireface UCX II houses two mic/line preamps in XLR combo configuration, two digitally controlled line/instrument inputs, a headphone jack, various control buttons, a clear color display, and the main volume knob. The rear panel features ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0, and a switchable word clock I/O. The Fireface UCX II is powered by RME's SteadyClock FS, the latest in clock and jitter rejection technology. This femtosecond clock significantly reduces intrinsic jitter when converting from and to analogue over all digital formats, ensuring the highest audio fidelity. The Fireface UCX II also boasts full stand-alone functionality. You can control all device states directly from the front panel, and the internal memory allows for the permanent storage of six different states of the unit. This makes the Fireface UCX II a versatile tool, capable of transforming into different devices at the click of a button. The Fireface UCX II also comes with the TotalMix FX DSP mixer, offering comprehensive routing and monitoring options, and the DIGICheck Analyzer for precise measurement and analysis of digital data feeds. All of the Fireface UCX II's line-level outputs are fully DC-coupled, making it ideal for use with modular synthesizers and other studio hardware. The Fireface UCX II operates in two modes: driver-based USB2 and Class Compliant. The latter is a standard natively supported by operating systems like Windows, Mac OSX, and Linux distributions, requiring no proprietary drivers. In conclusion, the Fireface UCX II 40-Channel Advanced USB Audio Interface is a durable, high-quality, and versatile solution for all your professional audio recording and processing needs. It's not just an audio interface; it's a complete audio system designed to deliver the best sound quality possible.
RME FIREFACCEUCX2
1699 USD
Absolute power and flexibility, RME presents the Fireface UCX II the successor of the legendary Fireface UCX. Fitting to RME's 25th anniversary the...
RME Fireface UCX II
1599 USD
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that...
RME FF UCX II
1699 USD
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long t...
RME DTOX-16 O Breakout Panel with 16x XLR Outputs to 2x D-sub 25-Pin Connector
399 USD
Make your professional audio setup more efficient and versatile with the DTOX-16 O Breakout Panel. This high-quality audio equipment seamlessly connects 16 XLR outputs to two D-sub 25-pin connectors, effectively managing channels 1-8 and channels 9-16. Designed to support all interfaces using an analog 25-pin D-sub output, this breakout panel is an essential tool for any professional audio environment.Engineered by RME, a renowned name in professional audio equipment, the DTOX-16 O Breakout Panel is compatible with a range of RME interfaces, including the M-32 DA and M-16 DA. This compatibility ensures a reliable and consistent audio experience, making it an ideal choice for live performances, recording studios, and sound reinforcement systems.Crafted with a durable stage box form factor, this breakout panel is built to withstand the rigors of professional use. Its high-quality DB-25, XLR connectors provide a secure and stable connection, ensuring optimal audio signal transmission. Incorporate the DTOX-16 O Breakout Panel into your professional audio setup and experience the difference in quality and reliability it brings. Whether you're a sound engineer, a recording artist, or a live performer, this versatile and reliable breakout panel is designed to meet your professional audio needs.
RME ADI-2 FS 24 Bit / 192 kHz, 2-channel Hi-Performance AD/DA-...
949 USD
The ADI-2 FS is a compact and extremely flexible 2-channel Hi-End AD/DA-converter. The small 9.5" unit offers first-class AD/DA-conversion from/to ...
RME DTOX-16 I Breakout Box
399 USD
It's time to elevate your professional audio setup with the DTOX-16 I Breakout Panel, a high-quality and reliable solution for managing multiple audio sources. This versatile panel seamlessly integrates 16 XLR inputs into two D-sub 25-pin connectors, effectively streamlining channels 1-8 and 9-16. Designed with durability in mind, the DTOX-16 I Breakout Panel is perfect for live sound or recording setups, where a multitude of audio devices such as microphones or mixers need to be connected to a central mixing console or recorder. Its compatibility extends to all interfaces utilizing analog 25-pin D-sub inputs, and it's specifically tailored to work flawlessly with RME interfaces like the M-32 AD and M-16 AD. With the DTOX-16 I Breakout Panel, you're not just getting a piece of equipment, you're investing in a professional-grade tool that enhances your audio management capabilities. Whether you're in a recording studio or live event, this breakout panel ensures a smooth, high-quality audio experience.
RME Hammerfall DSP PCMCIA Slot Cardbus Card
54 USD
Used RME Hammerfall DSP PCMCIA Slot Cardbus HDSP I/O Box Card
RME Hammerfall DSP Multiface II
386.15 USD
The item is in very good conditionI provide the Firewire 400 cable to connect the Multiface to the PCI card. Please verify that your computer can ...
RME RME Hammerfall DSP Digiface 96 kHz Digital Interface (NO ...
136.99 USD
*** Domestic Freight and Shipping outside the continental USA is an additional cost. Please contact us for a shipping quote. *** Available from Ch...
RME Hammerfall Multiface DSP
286.59 USD
Sold fully checked with warranty. Shipping bombproof, worldwide -----------------------------------------------------------------------------------...
RME RME BOHDSP9652 - MIDI Breakout Cable for RME Interfaces
56.99 USD
Replacement MIDI breakout cable for compatible RME interfaces. Mini-DIN connector to 4 x DIN MIDI jacks (2 in, 2 out).
RME Fireface UFX USB/Firewire Audio Interface
31.5 USD
AUDIO INTERFACE NOT INCLUDED!Selling a 4-pack of under desk mounts. Fits most interfaces and 1U rack units that are 1.75"~Also available in a 2-pac...
RME Hammerfall dsp
90 USD
I don t have the capabilities to test it. Please read into it and know what you re buying.Package includes no cables.
RME Hammerfall DSP Multiface
135 USD
Used gear from our rentals department. The Multiface II is not only multi because of the many different interface formats supported, but also multi...
RME ADI-2 FS AD/DA Convertor
999 USD
Shop Used Gear with Perfect CircuitFully tested and guaranteed to be 100% functionalGet peace of mind with best-in-class optional accidental damag...
RME RME FIREFACE 400 Firewire Audio-Interface
902.66 USD
I am selling an RME Fireface 400 FireWire audio interface in phenomenal condition.It comes with all accessories as well as a rack mount. The device...
RME DTOX-16 I/O Breakout Panel
399 USD
Take your audio setup to the next level with the DTOX-16 I/O Breakout Panel, a high-quality, reliable solution for connecting 8 XLR inputs to a 25-pin D-sub connector and 8 XLR outputs to another 25-pin D-sub connector. This versatile breakout panel is designed to support all interfaces utilizing an analog 25-pin D-sub I/O, making it an essential tool for any professional audio setup.In addition to its compatibility with generic interfaces, the DTOX-16 I/O Breakout Panel is also specifically designed to work seamlessly with a range of RME interfaces. These include the ADI-8 QS, ADI-8 DS Mk III, M-32 AD, M-32 DA, M-16 AD, and M-16 DA. This ensures that you can integrate this breakout panel into your existing setup with ease, regardless of the RME interface you're using.With its robust construction and high-quality connectors, the DTOX-16 I/O Breakout Panel ensures reliable, interference-free connections for your audio equipment. Whether you're a professional sound engineer or an audio enthusiast, this breakout panel is a must-have addition to your audio equipment arsenal.
RME ADI-2 FS 9.5" 1RU High-Precision 192kHz 2-Channel AD/DA Converter
949 USD
The ADI-2 FS is a compact and extremely flexible 2-channel Hi-End AD/DA-converter. The small 9.5" unit offers first-class AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected! HighlightsBalanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output level control and the additional modes D-D and A-A turn the ADI-2 FS into a universal tool and a flexible problem solver. Its pro-class sound qualifies it also as extension for other premium converters. The ADI-2 FS is equipped with two servo-balanced analog line inputs via XLR/phones combo jacks, simultaneously usable balanced XLR and unbalanced phone jacks, an adjustable High Power headphone output on the front, an ADAT compatible optical SPDIF I/O, and a coaxial SPDIF I/O (RCA, AES/EBU compatible). These extensive connectivity options provide most flexible and uncompromised signal transmission. The analog inputs use the advanced circuit design of the highly acclaimed ADI-2 Pro, thus offering outstandingly low noise and distortion as well as an extended frequency response. Three different settings for input and output levels provide perfect compatibility in the analog domain. A further highlight is SteadyClock FS, RMEs latest clock technology for maximum jitter suppression and lowest self-jitter. It guarantees superb sound quality completely independent from the quality of the current reference clock. The ADI-2 FS also uses the conversion technology of the ADI-2 Pro: the AK557x family and the AK4490 not only offer 192 kHz sampling frequency and lowest distortion, but also a dynamic range of 120 dBA. But the ADI-2 has more to offer than tremendous sound. It also provides exciting digital connectivity. Its coaxial RCA SPDIF I/O has a switchable Channel Status to make it fully AES/EBU compatible (cable adapter required). The optical TOSLINK I/Os can handle up to 192 kHz and also serve as ADAT I/O, even at 192 kHz. An operation with SPDIF input and ADAT output or vice versa is supported, in both AD/DA and D-D mode. The clear layout and distinct labeling of the front panel with its functional buttons, the informative status display, a 6 LED level meter as well as the tidy back panel make it easy to operate the unit right out of the box. Unexpected VersatilityWith input selection set to DIG the device works as a digital format converter with simultaneous monitoring. The AD converter is disabled, the DA converter still used for monitoring the digital input signal, at the rear outputs and the headphone output. A format conversion is possible between all options - SPDIF coaxial (or AES) with Professional or Consumer Status, as well as ADAT. The output selection ANA connects the analog output circuitry directly to the analog input circuitry. The DA converter is no longer active. The...
2023 RME UFX III
3199 USD
RME Fireface UFX III - In stock at authorized U.S. reseller Tidepool AudioRME items purchased from resellers outside the U.S. do not have U.S. warr...
RME Hammerfall DSP Cardbus PCMCIA Card
130 USD
RME Hammerfall Cardbus card with RME proprietary cable, Startech Express Card adapter, and PCI adapter in excellent condition. Works with Digiface ...
RME DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male & 4 XLR Female Breakout Panel
399 USD
How can you enhance your digital multichannel interfaces with a professional, solid, and stable system The DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male and 4 XLR Female Breakout Panel is your answer. This high-quality breakout panel is designed to replace common breakout cables D-sub to XLR, providing a more robust and reliable solution for your audio and video needs. The DTOX-32 breakout panel features two sets of D-sub to 4 x XLR male and 4 x XLR female each, offering ample connectivity options for your equipment. It's pin-compatible with both TASCAM (=RME) and Yamaha formats, ensuring wide-ranging compatibility with various devices. This breakout panel is not just about functionality; it's also designed with flexibility in mind. The DTOX-32, along with its counterpart DTOX-16, comes with removable rack-mount brackets. These brackets can be mounted in either the front or back position, providing you with the convenience to set up your system as per your requirements. One of the standout features of the DTOX-32 breakout panel is its selectable pinout standards for the 25-pin D-sub connectors. You can choose between the TASCAM-compatible format and the YAMAHA-compatible format. By default, the DTOX-32 is set to the factory default TASCAM (RME) format. However, if you wish to change the format, it can be done by accessing an internal connector inside the panel. All it requires is a medium size cross recessed screwdriver (PH-2 size). In conclusion, the DTOX-32 Dual Set of 25-Pin D-Sub to 4 XLR Male and 4 XLR Female Breakout Panel is a versatile, reliable, and professional solution for enhancing your digital multichannel interfaces.
RME FIREFACE UFX III
3199 USD
RME has introduced the Fireface UFX III, a 188-channel, 1 RU audio interface with a blistering maximum sample rate of 24-bit / 192 kHz and wide-ran...
RME ADI-6432 R Bidirectional 64 Channel 24-Bit/192kHz MADI/AES Format Converter
4449 USD
Just when you thought professional audio conversion couldn't get more reliable, the RME ADI-6432 R steps in as a game-changer in the realm of high-fidelity sound. This advanced bidirectional 64-channel format converter is engineered to seamlessly bridge MADI and AES/EBU interfaces, ensuring that audio professionals can maintain the integrity of their high-resolution audio streams up to 24-bit/192kHz.The ADI-6432 R distinguishes itself with its innovative dual-circuit connectivity, providing an added layer of assurance. Should one electrical circuit encounter issues, the unit's intelligent design allows it to continue operating flawlessly on the second circuit, eliminating the risk of unexpected downtime in critical audio environments.At the heart of this sophisticated device lies RME's acclaimed SteadyClock technology, which delivers exceptional jitter reduction and clock regeneration. This feature ensures that even when working with external clock sources, the ADI-6432 R can provide a pristine, stable clock output for the utmost audio clarity.The unit's comprehensive connectivity options are a testament to its versatility. With support for BNC word clock, fiber optic, and MIDI, the ADI-6432 R can integrate into a wide array of setups, making it a top choice for studios, live sound applications, and broadcast environments. The ability to transfer MIDI and RS-232 data via MADI streamlines the workflow, allowing for remote control capabilities and simplifying complex setups.RME's Intelligent Clock Control (ICC) and SyncCheck technologies ensure that the ADI-6432 R maintains synchronization and provides clear error detection, even in the most demanding situations. The unit's ability to handle 64 channels of audio over a single cable, with distances exceeding 100 meters, is a testament to its high-quality design and performance.The front panel of the ADI-6432 R is a hub of information, featuring an array of 97 LEDs that provide detailed feedback on sync and audio states. Each function is accompanied by dedicated keys and clear LED indicators, allowing for precise and immediate adjustments. For added security, the control keys can be locked to prevent inadvertent setting changes.Whether used as a digital multicore system, an AES/EBU frontend for MADI-equipped devices, or as a standalone converter, the RME ADI-6432 R is a professional-grade solution that delivers unparalleled audio quality and reliability. Its compatibility with MADI interfaces from leading manufacturers ensures seamless integration into existing setups, making it a valuable asset for audio professionals seeking advanced, high-quality, and reliable conversion capabilities.
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*** Domestic Freight and Shipping outside the continental USA is an additional cost. Please contact us for a shipping quote. *** Available from Ch...